On April 23, 1991, Eazy-E went up to the studios at Solar Records where he was greeted by Suge and a small entourage of men with pipes and Louisville sluggers.
All that was standing in his and Suge’s way was Eazy. album, 1991’s Niggaz4Life, and he wanted out so he could finish work on his solo material. Dre was already done mastering the final N.W.A. With an eye on becoming a music mogul, Suge saw Dre as his meal ticket. He’d been hanging around Ruthless as the D.O.C.’s bodyguard and had grown close to Dre during his conflict with the label. Pro football prospect turned hulking enforcer, Marion Knight, Jr., nicknamed Suge for the sweet sugar bear he was as a child, had a reputation for intimidation that was the stuff of industry myth: punching a guy through a closed door and dangling Vanilla Ice off a balcony. Dre was seeking freedom from the World’s Most Dangerous Group, but he ended up dealing with someone far more treacherous. As a member of N.W.A in the mid-1980s, the producer was a star, but he was convinced that Eazy-E-the head of his record label, Ruthless, and fellow N.W.A. Dre’s solo rap career began like a yarn out of a mob epic: coercion, conspiracy, guns strategically placed near jacuzzis.
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